The same title was given to their first album, released in 1980. It contained the song Just Keep Walking to enter Top 40 in Australia. It was followed by the tour across the band’s mother country. INXS enlarged their support fast, and their second album, Underneath The Colours (1981), became one of the twenty best in the national charts. Formed in 1977 as the Farriss Brothers in Sydney, Australia, INXS originally comprised the three Farriss brothers Tim (16 August 1957, Australia; guitar), Jon (b. 18 August 1961, Australia; drums) and Andrew (b. 27 March 1959, Australia; keyboards), Michael Hutchence (b. Producers Chris Thomas, INXS, Mark Opitz & 2 more. Writers Andrew Farriss, Chris Thomas, Jon Farriss & 2 more. Lead Vocal Michael Hutchence. More INXS albums.

For all intents and purposes, the death of Australian rock band INXS' lead singer, Michael Hutchence, in 1997 ended the band's career. Despite being a phenomenal live band with influences that combined funk, new wave, and melodic rock, Hutchence was always the focal point of the band, and without his rock star charisma and, more importantly, his warm, soulful vocals, there really wasn't much point for the band to continue. They did make attempts, though, with both Terence Trent d'Arby and Jon Stevens fronting the band in the late '90s and early 2000s, respectively. But nothing worked until the band hooked up with reality TV impresario Mark Burnett for the extended audition show Rockstar: INXS, which found unknown vocalists from around the world competing to become the new lead singer of INXS. Forgetting for a second that Hutchence was one of the most naturally gifted and immediately recognizable singers of his generation and that replacement singers rarely work for established bands, it seemed unlikely that INXS would have any luck finding a suitable replacement among the motley group of men and women who showed up oversinging and pandering to the studio crowd on the first episode. However, if host Dave Navarro's segment on teaching the contestants how to dress like outrageous rock stars was any indication, it became clear early on that all the band was looking for was a relatively good-looking, relatively tuneful young man who could evince some cocksure rock smarminess in tight leather pants and karaoke his way through 'New Sensation': enter J.D. Fortune. A former Elvis impersonator from Canada, Fortune introduced himself to INXS by bellowing through 'American Woman,' during which he not only took the opportunity to grab his nether regions, but also more disturbingly a woman's neck in the audience. INXS chalked the creepy performance up to opening-night jitters and Fortune rallied on, ultimately even beating out the odds-on favorite Aussie Mig Ayesa.

All of which brings us to Switch, INXS' first post-Hutchence album and the first with Fortune. Switch isn't much better than 1990's X or 1997's Elegantly Wasted. Truthfully, if you accept that Hutchence was the best thing about INXS, then nothing the band does now could be better than even the worst album the band made with him. That said, for all of Rockstar: INXS's sickeningly glitzy cheesiness, it had both a sense of humor and fun about itself. Which seemed to indicate that INXS also had the same self-awareness that they were a great back catalog in need of live frontman. In that spirit, Switch finds the band working with such hitmaking songwriters as the Matrix and Desmond Child in an attempt to reference sounds from every era of the band's career. Even Fortune, who impressed the band during the TV show with his lyrics for lead-off single 'Pretty Vegas,' gets some more writing credit with the album opener, 'Devil's Party,' an obvious nod to 'Devil Inside,' one of the band's most recognizable hits from 1987's Kick. Similarly, the epic ballad 'Afterglow' references U2's 'With or Without You,' while the driving 'Hungry' could easily be a B-side from 1984's synth pop-heavy The Swing. Vocally, Fortune does match some of Hutchence's deep soul leanings, although he's more leaden and doesn't have any of the higher-end, blue-eyed soul that was Hutchence's trademark. However, he is clearly up for the sex-god rock star pose as evidenced on the icky and somewhat offensive 'Hot Girls,' which features not only samples of Asian girls talking dirty, but lines like, 'Looking out my window at some girl as I'm writing this and I watch her eat a peach, the way she's biting it, biting it. And I probably shouldn't stare, but I am fighting it, fighting it. And I think that she's aware and kind of liking it, liking it.' The album tends to 'switch' back and forth like this from heartfelt love songs to songs about the decadent rock lifestyle, even making room for some ersatz reggae along the way. Fans of the Rockstar: INXS TV show will be pleasantly surprised to find female contestants Suzie McNeil and Deanna Johnston making appearances, with McNeil even getting a duo lead with Fortune on 'God's Top Ten.' It's nice to see INXS acknowledge the show, which ultimately redefined the band apart from Hutchence. They'll never be the band they were with him, and frankly, they seem to have come to terms with that. Unfortunately, one's interest in Switch largely depends on the listener's ability to come to that same conclusion.

Biography

INXS were formed from The Farriss Brothers, constituted by Andrew Farriss, Kirk Pengilly, Tim Farriss, Michael Hatchence, Jon Farriss and Garry Gary Beers. For the first two years, they had been giving minor performances at pubs to enhance their skills and form their own style based on dance and soul music. After singing a contract with the Deluxe Records, the musicians renamed their band to INXS. The same title was given to their first album, released in 1980. It contained the song Just Keep Walking to enter Top 40 in Australia. It was followed by the tour across the band’s mother country. INXS enlarged their support fast, and their second album, Underneath The Colours (1981), became one of the twenty best in the national charts. It was a sign for the musicians to grow further, and they made an agreement with Atlantic Records. The third studio work, Shabooh Shoobah (1982), was delivered to stores of Australia and far beyond.

In 1983, INXS went on their first USA tour. Their single The One Thing hit Top 30 on the Billboard, and the other one, Original Skin, recorded with slight traces of funk, became the international smashing hit. The following album, The Swing (1984), did not have much success, but preceded the release of Listen Like Thieves (1985), a much better work to change the things around. It did not leave the Australian charts for nearly two years and spawned the single What You Need to run eleventh on the Billboard. However, it was just a step to the best work by INXS to be released in 1987 under the name Kick. This album included the American charts topper, Need You Tonight, and gained the multiple platinum status. The band was very welcome at largest festivals and concerts with crowds of fans and warm support. This release was accompanied by a huge tour lasting more than a year. After it was over, the musicians took a short break and got occupied with the secondary projects. INXS faced a great difficulty releasing the following albums to be evaluated by the highest standards of Kick. Therefore, a good quality album, X (1990), featuring respectable songs Suicide Blonde, Disappear, Bitter Tears, could not be compared with its brilliant predecessor and did not receive good reviews. It did not affect the popularity of INXS, proved by their concert at Wembley gathering 72 000 fans. It was recorded as the live album Live Baby Live to enter the Top 10 in the UK.

The albums, released by INXS in the nineties, were failures. One by one, Welcome to Wherever You Are (1992), Full Moon, Dirty Hearts (1993), and Elegantly Wasted (1997) came to disappoint the audience. The band went through hard times, caused by creativity crisis, but the heaviest blow was Hatchence’s death, as a result of suicide. The musicians found strength to carry on and started looking for a new singer. 2000 through 2004, they had been changing vocalists until finally chose J.D. Fortune, the winner of the Rock Star competition. He sang for the new album Switch (2005), the first studio work in many years to finally meet the public and critical acclaim. It was followed by a successive tour, which became a beginning of the band’s new life. In 2007, INXS went to the studio to prepare another album, which saw the light in 2010 under the title Original Sin. The record pleased the listeners by the traditionally original sound and also it demonstrated some old songs from the flip side – as if the musicians reinvented New Sensation and Never Tear Us Apart. There is no doubt that Original Sin will be enjoyed not only by INXS’ fans, but also by all the connoisseurs of alternative rock.

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